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Best Ethnic or Traditional Recording : ウィキペディア英語版
Grammy Award for Best Ethnic or Traditional Folk Recording

The Grammy Award for Best Ethnic or Traditional Folk Recording was awarded from 1960 to 1986. During this time the award had several minor name changes:
*From 1960 to 1961 the award was known as Best Performance - Folk
*From 1962 to 1967 it was awarded as Best Folk Recording
*From 1968 to 1970 it was awarded as Best Folk Performance
*In 1971 and from 1973 to 1974 the award was known as Best Ethnic or Traditional Recording (including traditional blues)
*In 1972 and from 1975 to 1982 it was awarded as Best Ethnic or Traditional Recording
*From 1983 to 1986 it was awarded as Best Ethnic or Traditional Folk Recording
In 1987 the award was split into two new awards: the Grammy Award for Best Traditional Folk Album and the Grammy Award for Best Contemporary Folk Album.
Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
==1960s==

*Grammy Awards of 1960
*
*The Kingston Trio for ''The Kingston Trio at Large''
*Grammy Awards of 1961
*
*Harry Belafonte for "Swing Dat Hammer"
*Grammy Awards of 1962
*
*Belafonte Folk Singers for ''Belafonte Folk Singers at Home and Abroad''
*Grammy Awards of 1963
*
*Peter, Paul and Mary for "If I Had a Hammer"
*Grammy Awards of 1964
*
*Peter, Paul and Mary for "Blowin' in the Wind"
*Grammy Awards of 1965
*
*Gale Garnett for ''We'll Sing in the Sunshine''
*Grammy Awards of 1966
*
*Harry Belafonte & Miriam Makeba for ''An Evening with Belafonte/Makeba''
*Grammy Awards of 1967
*
*Cortelia Clark for ''Blues in the Street''
*Grammy Awards of 1968
*
*John Hartford for "Gentle on My Mind"
*Grammy Awards of 1969
*
*Judy Collins for "Both Sides Now"

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Grammy Award for Best Ethnic or Traditional Folk Recording」の詳細全文を読む



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